Saturday Workshops: Studio 1
If musicality is how each choice in the moment maps to the music, composition is how those moments come together to form something larger. Just as we can examine composition in music or prose or photography, we can examine composition in our social dancing. And, we think, you *should* examine it, if you want to craft your dances with the same care and intention that any other artist would use.
This limited size class requires pre-registration here
Dancing in close embrace can be intimidating, but it can be so very rewarding! We'll help you get past the pitfalls, and having dreamy, fun, dynamic dances in no time! We'll also talk about how you can get into and out of close embrace, and how you and your partner can use non-verbal communication to navigate those transitions.
In this class, we’ll focus on blues that’s about letting loose and having a good time! Learn some of Julie & Mike's favorite moves to dance to funky party blues. We'll explore a few different options for dancing solo and with a partner. Be proud of your butt and learn to shake that thing!
Pre-reqs: Having a butt (flat butt, round butt, any butt!)
Mike's true loves in life are teaching, dancing, following, and music. There's no order, because for her, these things are intrinsically linked. In addition to national events like Lindy Focus and Enter the Blues, Mike has taught at countless regional events in Lindy, Blues, and Balboa, as well as traveling all over the country to teach and perform. She performed in an all-girls Charleston troupe at Camp Jitterbug's Jump Session Show in 2007, and in the all-girl blues troupe, the Hoodoo Ladies, at events from DC to BluesShout in St. Louis. Additionally, she has taught at events ranging from one-month artists residencies to international training camps.
Mike combines an intuitive understanding of connection with an analytical speaking style to give her students technique, but also strives to challenge and inspire her students to push themselves further into the music. She aims to help leaders create artistic compositions that are clearly led; she wants follows to have the ability to be a completely literal follow, and the inspiration and freedom to be an imaginative and dynamic contributor. In the classroom or on the social floor, she seeks a connection that involves active communication from both partners, to make a dance together.
Dan Legenthal lives in Boston, MA, working on as many vernacular jazz and blues dances as he can. His passion extends to both the social floor and competition. When not competing, he teaches at events like Korea Blues Camp (South Korea), Hot Blues In Toulouse (France), and The Blues Experiment (USA).
Drawing from his degree in Classical Guitar, Dan has unique insight into how to practice and develop one’s skills, and uses that knowledge to create a dynamic and engaging learning environment. Since dance is experiential, Dan likes to prioritize doing, and treats learning like a sequence of experiments where you can learn as much from failures as from success. This philosophy is anchored on clear, precise language, and a belief that every student is capable of developing their own skill by patient, intentional practice.
Mike Grosser is one of the most recognized names in the Blues dance community. Mike is a top level instructor, dancer, choreographer, performer, and mentor. He has not only won respected blues competitions but also thrown down hard in unofficial late night dance-offs. Mike is a founding member and choreographer of the B Sides, which is the first and currently only ongoing professional blues performance group. Students across continents rave about Mike’s insights, personality, and breadth and depth of knowledge.
As an instructor, Mike strives to put himself in his students’ shoes so that he can relate material as intuitively and thoroughly as possible. He loves seeing students’ eyes light up when they understand a concept or feel a movement work naturally in their body for the first time.
Mike lives and breathes dance. He is constantly honing his skills and developing new ideas. If you run into him at grocery store, on public transit, in a museum, or on a mountain top, you’ll probably catch him dancing.
Julie’s expressive dancing and dynamic connection are known throughout the blues dancing world. With a background in theatre and solo dance, and an undying desire for continued learning, she is best known for her solo movement, choreography, aesthetics, and killer follower expression.
A hard-working competitor, Julie has won many national competitions, including Blues Muse 2017 Follower Invitational, North Star Blues 2017 Invitational Cuttin’, bluesSHOUT! 2017 All Star Jack & Jill, and more.
As a teacher, Julie is clear, thoughtful, and earnest. From advanced Struttin’ variations to beginner-friendly intros to lead-follow dynamics, Julie carefully crafts her classes and tailors her material to fit the crowd at hand. Julie has taught blues dancing in San Francisco, Seoul, Austin, Boston, London, Chicago, Zurich, and many places in between. She also teaches regularly in her home-base of Boston. For dance videos, pictures, and more info, check out https://dancewithjulie.wordpress.com.
Saturday Workshops: Studio 6
Have you been dancing close embrace for years and want to diversify the way you connect to unlock more possibilities? This class is for you. Are you looking for ways to make close embrace comfortable for yourself and your partner, both physically and mentally? This is the class for you. Want to connect well with more partners of different heights, shapes, and experience levels? See you in class.
Many of the blues dances make use of momentum. Come take your technique to the next level in this class. We will also explore creativity and developing individual style within momentum.
Explore how the mood of different jazz-blues songs can influence your movement as a follower or as a leader. The broad range of moods, feelings, shapes, and textures we can dance within the umbrella of Ballroomin’ will enrich and develop your individual style and offer inspiration to your partners. We will also use concrete examples to discuss how freestyle ballroomin’ can evolve into a specific idiom.
Pre-requisites- people should be comfortable walking with a partner in close embrace.
This limited size class requires pre-registration here
Ruth skipped into her first dance class more than 25 years ago, and has since been dancing as many styles as she can get her feet on.
Ruth’s 15+ years as a dance instructor have taken her on teaching adventures across the US, Canada, Europe and Southeast Asia. She has continually developed both her teaching and her dancing skills. Ruth is known for her ability to craft explanations that fit students’ learning styles. She brings a vibrant mixture of deep technical knowledge, passion for movement, and silly fun that students can’t help but connect with.
In addition to training in blues, lindy, Argentine tango, modern, ballet and many other dance forms, Ruth is certified in Franklin Method, an increasingly popular body somatics method. She has a long-standing love affair with close-embrace connection, has sneakily swung out in the Louvre, and is curating a fine collection of fishtail variations.
Mike Grosser is one of the most recognized names in the Blues dance community. Mike is a top level instructor, dancer, choreographer, performer, and mentor. He has not only won respected blues competitions but also thrown down hard in unofficial late night dance-offs. Mike is a founding member and choreographer of the B Sides, which is the first and currently only ongoing professional blues performance group. Students across continents rave about Mike’s insights, personality, and breadth and depth of knowledge.
As an instructor, Mike strives to put himself in his students’ shoes so that he can relate material as intuitively and thoroughly as possible. He loves seeing students’ eyes light up when they understand a concept or feel a movement work naturally in their body for the first time.
Mike lives and breathes dance. He is constantly honing his skills and developing new ideas. If you run into him at grocery store, on public transit, in a museum, or on a mountain top, you’ll probably catch him dancing.
Ruth skipped into her first dance class more than 25 years ago, and has since been dancing as many styles as she can get her feet on.
Ruth’s 15+ years as a dance instructor have taken her on teaching adventures across the US, Canada, Europe and Southeast Asia. She has continually developed both her teaching and her dancing skills. Ruth is known for her ability to craft explanations that fit students’ learning styles. She brings a vibrant mixture of deep technical knowledge, passion for movement, and silly fun that students can’t help but connect with.
In addition to training in blues, lindy, Argentine tango, modern, ballet and many other dance forms, Ruth is certified in Franklin Method, an increasingly popular body somatics method. She has a long-standing love affair with close-embrace connection, has sneakily swung out in the Louvre, and is curating a fine collection of fishtail variations.
Kenneth Shipp hails from St. Louis, MO as an instructor who grew up dancing hip hop and breakdancing before jumping into blues. He has spent the past few years passionately studying the family of blues idioms, incorporating his nerdy personality along the way. Kenneth’s life experiences inform his dancing and wants his students to walk away with a better historical and contextual understanding to exhibit it in their dances. With every class and practice, he'll encourage you to approach social dancing with coolness, relaxation, or in other words “Chill The F$%& Out.” When he’s not dancing, you can likely find him ranting about the latest blockbuster movie, game, or nerd convention.
Learn more about Kenneth at his Facebook page: https://www.facebook.com/
Saturday Workshops: Studio 7
Whether you’re experienced with cuttin’ or need an introduction to it, this class will sharpen your skills! This class will work through the overall structures & etiquette of cuttin’, as well as working on your cuttin’ content. You’ll get to choose your own adventure for getting an intro to cuttin’ content, working on cuttin’ composition, or building power moves. Then we’ll bring it all together and get hype in a circle!
Pre-req: Must be comfortable dancing solo blues
Only a Blues Sith deals in absolutes - always dancing big or small is the path of the Dark Side. We'll work on crafting moments that slice like light sabers, using minimalism to make memorable social dances.
Julie’s expressive dancing and dynamic connection are known throughout the blues dancing world. With a background in theatre and solo dance, and an undying desire for continued learning, she is best known for her solo movement, choreography, aesthetics, and killer follower expression.
A hard-working competitor, Julie has won many national competitions, including Blues Muse 2017 Follower Invitational, North Star Blues 2017 Invitational Cuttin’, bluesSHOUT! 2017 All Star Jack & Jill, and more.
As a teacher, Julie is clear, thoughtful, and earnest. From advanced Struttin’ variations to beginner-friendly intros to lead-follow dynamics, Julie carefully crafts her classes and tailors her material to fit the crowd at hand. Julie has taught blues dancing in San Francisco, Seoul, Austin, Boston, London, Chicago, Zurich, and many places in between. She also teaches regularly in her home-base of Boston. For dance videos, pictures, and more info, check out https://dancewithjulie.wordpress.com.
Joey Science has been dancing since they were a small child, partner dancing since 2005, and zooming way, way in on Blues dancing since moving to Chicago in 2009. Their formal education in the learning sciences sneaks up in class formats that emphasize personal exploration and incorporation of the material, and a "try first, questions later" approach.
Kenneth Shipp hails from St. Louis, MO as an instructor who grew up dancing hip hop and breakdancing before jumping into blues. He has spent the past few years passionately studying the family of blues idioms, incorporating his nerdy personality along the way. Kenneth’s life experiences inform his dancing and wants his students to walk away with a better historical and contextual understanding to exhibit it in their dances. With every class and practice, he'll encourage you to approach social dancing with coolness, relaxation, or in other words “Chill The F$%& Out.” When he’s not dancing, you can likely find him ranting about the latest blockbuster movie, game, or nerd convention.
Learn more about Kenneth at his Facebook page: https://www.facebook.com/
Mike's true loves in life are teaching, dancing, following, and music. There's no order, because for her, these things are intrinsically linked. In addition to national events like Lindy Focus and Enter the Blues, Mike has taught at countless regional events in Lindy, Blues, and Balboa, as well as traveling all over the country to teach and perform. She performed in an all-girls Charleston troupe at Camp Jitterbug's Jump Session Show in 2007, and in the all-girl blues troupe, the Hoodoo Ladies, at events from DC to BluesShout in St. Louis. Additionally, she has taught at events ranging from one-month artists residencies to international training camps.
Mike combines an intuitive understanding of connection with an analytical speaking style to give her students technique, but also strives to challenge and inspire her students to push themselves further into the music. She aims to help leaders create artistic compositions that are clearly led; she wants follows to have the ability to be a completely literal follow, and the inspiration and freedom to be an imaginative and dynamic contributor. In the classroom or on the social floor, she seeks a connection that involves active communication from both partners, to make a dance together.
Joey Science has been dancing since they were a small child, partner dancing since 2005, and zooming way, way in on Blues dancing since moving to Chicago in 2009. Their formal education in the learning sciences sneaks up in class formats that emphasize personal exploration and incorporation of the material, and a "try first, questions later" approach.
Sunday Workshops: Studio 1
Sometimes worrying about getting things right can get in the way of dancing. Come find out what Ruth & Julie care about in a partner dance and what they think you should toss right out of the garden.
Pre-reqs: Comfort dancing lead and/or follow in blues in multiple contexts and connections. Students will have put some thought into following or leading technique, musicality, & partnership already, and are prepared to challenge their expectations and think more deeply about their dance. Intermediate- to masters-level students will find this class comfortable and challenging.
Dancing satisfying rhythms by one-self feels good. When you add rhythmic interplay with partner and music, you have a recipe for next-level dancing. Explore this with Dan and Mike G, both of whom are musicians as well as dancers.
Soul train lines are a great way to feel group togetherness and also have your moment in the spotlight. Get ready to have fun and bring the party!
Ruth skipped into her first dance class more than 25 years ago, and has since been dancing as many styles as she can get her feet on.
Ruth’s 15+ years as a dance instructor have taken her on teaching adventures across the US, Canada, Europe and Southeast Asia. She has continually developed both her teaching and her dancing skills. Ruth is known for her ability to craft explanations that fit students’ learning styles. She brings a vibrant mixture of deep technical knowledge, passion for movement, and silly fun that students can’t help but connect with.
In addition to training in blues, lindy, Argentine tango, modern, ballet and many other dance forms, Ruth is certified in Franklin Method, an increasingly popular body somatics method. She has a long-standing love affair with close-embrace connection, has sneakily swung out in the Louvre, and is curating a fine collection of fishtail variations.
Julie’s expressive dancing and dynamic connection are known throughout the blues dancing world. With a background in theatre and solo dance, and an undying desire for continued learning, she is best known for her solo movement, choreography, aesthetics, and killer follower expression.
A hard-working competitor, Julie has won many national competitions, including Blues Muse 2017 Follower Invitational, North Star Blues 2017 Invitational Cuttin’, bluesSHOUT! 2017 All Star Jack & Jill, and more.
As a teacher, Julie is clear, thoughtful, and earnest. From advanced Struttin’ variations to beginner-friendly intros to lead-follow dynamics, Julie carefully crafts her classes and tailors her material to fit the crowd at hand. Julie has taught blues dancing in San Francisco, Seoul, Austin, Boston, London, Chicago, Zurich, and many places in between. She also teaches regularly in her home-base of Boston. For dance videos, pictures, and more info, check out https://dancewithjulie.wordpress.com.
Mike Grosser is one of the most recognized names in the Blues dance community. Mike is a top level instructor, dancer, choreographer, performer, and mentor. He has not only won respected blues competitions but also thrown down hard in unofficial late night dance-offs. Mike is a founding member and choreographer of the B Sides, which is the first and currently only ongoing professional blues performance group. Students across continents rave about Mike’s insights, personality, and breadth and depth of knowledge.
As an instructor, Mike strives to put himself in his students’ shoes so that he can relate material as intuitively and thoroughly as possible. He loves seeing students’ eyes light up when they understand a concept or feel a movement work naturally in their body for the first time.
Mike lives and breathes dance. He is constantly honing his skills and developing new ideas. If you run into him at grocery store, on public transit, in a museum, or on a mountain top, you’ll probably catch him dancing.
Dan Legenthal lives in Boston, MA, working on as many vernacular jazz and blues dances as he can. His passion extends to both the social floor and competition. When not competing, he teaches at events like Korea Blues Camp (South Korea), Hot Blues In Toulouse (France), and The Blues Experiment (USA).
Drawing from his degree in Classical Guitar, Dan has unique insight into how to practice and develop one’s skills, and uses that knowledge to create a dynamic and engaging learning environment. Since dance is experiential, Dan likes to prioritize doing, and treats learning like a sequence of experiments where you can learn as much from failures as from success. This philosophy is anchored on clear, precise language, and a belief that every student is capable of developing their own skill by patient, intentional practice.
Kenneth Shipp hails from St. Louis, MO as an instructor who grew up dancing hip hop and breakdancing before jumping into blues. He has spent the past few years passionately studying the family of blues idioms, incorporating his nerdy personality along the way. Kenneth’s life experiences inform his dancing and wants his students to walk away with a better historical and contextual understanding to exhibit it in their dances. With every class and practice, he'll encourage you to approach social dancing with coolness, relaxation, or in other words “Chill The F$%& Out.” When he’s not dancing, you can likely find him ranting about the latest blockbuster movie, game, or nerd convention.
Learn more about Kenneth at his Facebook page: https://www.facebook.com/
Mike Grosser is one of the most recognized names in the Blues dance community. Mike is a top level instructor, dancer, choreographer, performer, and mentor. He has not only won respected blues competitions but also thrown down hard in unofficial late night dance-offs. Mike is a founding member and choreographer of the B Sides, which is the first and currently only ongoing professional blues performance group. Students across continents rave about Mike’s insights, personality, and breadth and depth of knowledge.
As an instructor, Mike strives to put himself in his students’ shoes so that he can relate material as intuitively and thoroughly as possible. He loves seeing students’ eyes light up when they understand a concept or feel a movement work naturally in their body for the first time.
Mike lives and breathes dance. He is constantly honing his skills and developing new ideas. If you run into him at grocery store, on public transit, in a museum, or on a mountain top, you’ll probably catch him dancing.
Sunday Workshops:Studio 7
Connect with your partner and feel the music together. This class will give you the skills you need to have good dances to some essential styles of blues music.
Curious how to make your dancing a reflection of who you are inside? We will contemplate what movements we each enjoy, and go on a journey to discover how to make other movements feel like they belong in your body. We will also examine how each of us leads and follows. How do you lead in ways that create a dance that is uniquely you? How does the way you follow influence the choices your partner makes while leading you?
Mike Grosser is one of the most recognized names in the Blues dance community. Mike is a top level instructor, dancer, choreographer, performer, and mentor. He has not only won respected blues competitions but also thrown down hard in unofficial late night dance-offs. Mike is a founding member and choreographer of the B Sides, which is the first and currently only ongoing professional blues performance group. Students across continents rave about Mike’s insights, personality, and breadth and depth of knowledge.
As an instructor, Mike strives to put himself in his students’ shoes so that he can relate material as intuitively and thoroughly as possible. He loves seeing students’ eyes light up when they understand a concept or feel a movement work naturally in their body for the first time.
Mike lives and breathes dance. He is constantly honing his skills and developing new ideas. If you run into him at grocery store, on public transit, in a museum, or on a mountain top, you’ll probably catch him dancing.
Mike's true loves in life are teaching, dancing, following, and music. There's no order, because for her, these things are intrinsically linked. In addition to national events like Lindy Focus and Enter the Blues, Mike has taught at countless regional events in Lindy, Blues, and Balboa, as well as traveling all over the country to teach and perform. She performed in an all-girls Charleston troupe at Camp Jitterbug's Jump Session Show in 2007, and in the all-girl blues troupe, the Hoodoo Ladies, at events from DC to BluesShout in St. Louis. Additionally, she has taught at events ranging from one-month artists residencies to international training camps.
Mike combines an intuitive understanding of connection with an analytical speaking style to give her students technique, but also strives to challenge and inspire her students to push themselves further into the music. She aims to help leaders create artistic compositions that are clearly led; she wants follows to have the ability to be a completely literal follow, and the inspiration and freedom to be an imaginative and dynamic contributor. In the classroom or on the social floor, she seeks a connection that involves active communication from both partners, to make a dance together.
Mike's true loves in life are teaching, dancing, following, and music. There's no order, because for her, these things are intrinsically linked. In addition to national events like Lindy Focus and Enter the Blues, Mike has taught at countless regional events in Lindy, Blues, and Balboa, as well as traveling all over the country to teach and perform. She performed in an all-girls Charleston troupe at Camp Jitterbug's Jump Session Show in 2007, and in the all-girl blues troupe, the Hoodoo Ladies, at events from DC to BluesShout in St. Louis. Additionally, she has taught at events ranging from one-month artists residencies to international training camps.
Mike combines an intuitive understanding of connection with an analytical speaking style to give her students technique, but also strives to challenge and inspire her students to push themselves further into the music. She aims to help leaders create artistic compositions that are clearly led; she wants follows to have the ability to be a completely literal follow, and the inspiration and freedom to be an imaginative and dynamic contributor. In the classroom or on the social floor, she seeks a connection that involves active communication from both partners, to make a dance together.
Julie’s expressive dancing and dynamic connection are known throughout the blues dancing world. With a background in theatre and solo dance, and an undying desire for continued learning, she is best known for her solo movement, choreography, aesthetics, and killer follower expression.
A hard-working competitor, Julie has won many national competitions, including Blues Muse 2017 Follower Invitational, North Star Blues 2017 Invitational Cuttin’, bluesSHOUT! 2017 All Star Jack & Jill, and more.
As a teacher, Julie is clear, thoughtful, and earnest. From advanced Struttin’ variations to beginner-friendly intros to lead-follow dynamics, Julie carefully crafts her classes and tailors her material to fit the crowd at hand. Julie has taught blues dancing in San Francisco, Seoul, Austin, Boston, London, Chicago, Zurich, and many places in between. She also teaches regularly in her home-base of Boston. For dance videos, pictures, and more info, check out https://dancewithjulie.wordpress.com.
Ruth skipped into her first dance class more than 25 years ago, and has since been dancing as many styles as she can get her feet on.
Ruth’s 15+ years as a dance instructor have taken her on teaching adventures across the US, Canada, Europe and Southeast Asia. She has continually developed both her teaching and her dancing skills. Ruth is known for her ability to craft explanations that fit students’ learning styles. She brings a vibrant mixture of deep technical knowledge, passion for movement, and silly fun that students can’t help but connect with.
In addition to training in blues, lindy, Argentine tango, modern, ballet and many other dance forms, Ruth is certified in Franklin Method, an increasingly popular body somatics method. She has a long-standing love affair with close-embrace connection, has sneakily swung out in the Louvre, and is curating a fine collection of fishtail variations.
Joey Science has been dancing since they were a small child, partner dancing since 2005, and zooming way, way in on Blues dancing since moving to Chicago in 2009. Their formal education in the learning sciences sneaks up in class formats that emphasize personal exploration and incorporation of the material, and a "try first, questions later" approach.
Sunday Workshops: Studio 2
The choices we make as dancers about moves, aesthetic, rhythm, etc. are, unsurprisingly, really important to making good art. As such, it's easy to focus on the 'what' and 'how' of dancing, and forget to put as much time into the 'why'. This class will focus on exploring the impact of different choices one can make as a leader as well as what inspires you to make different choices.
Play with your partnered patterns for jazz, expanding your vocabulary and finding building blocks for creativity.
This class is going to be challenging. We're going being "when" and "where", and playing with acceleration and deceleration, with balance, with precision. This class will help you find your flow-related weaknesses, and find ways to improve them. Come prepared to work hard, and to fail... and then to practice, and then to get better.
Pre-reqs: Students in this class should already be very familiar with stretch and momentum, able to comfortably lead and follow complex passes and turns, and to have a strong sense of their own balance. If you're on the border for these pre-reqs but don't quite meet them, please bring a partner (or partners) rather than joining in rotation.
Dan Legenthal lives in Boston, MA, working on as many vernacular jazz and blues dances as he can. His passion extends to both the social floor and competition. When not competing, he teaches at events like Korea Blues Camp (South Korea), Hot Blues In Toulouse (France), and The Blues Experiment (USA).
Drawing from his degree in Classical Guitar, Dan has unique insight into how to practice and develop one’s skills, and uses that knowledge to create a dynamic and engaging learning environment. Since dance is experiential, Dan likes to prioritize doing, and treats learning like a sequence of experiments where you can learn as much from failures as from success. This philosophy is anchored on clear, precise language, and a belief that every student is capable of developing their own skill by patient, intentional practice.
Kenneth Shipp hails from St. Louis, MO as an instructor who grew up dancing hip hop and breakdancing before jumping into blues. He has spent the past few years passionately studying the family of blues idioms, incorporating his nerdy personality along the way. Kenneth’s life experiences inform his dancing and wants his students to walk away with a better historical and contextual understanding to exhibit it in their dances. With every class and practice, he'll encourage you to approach social dancing with coolness, relaxation, or in other words “Chill The F$%& Out.” When he’s not dancing, you can likely find him ranting about the latest blockbuster movie, game, or nerd convention.
Learn more about Kenneth at his Facebook page: https://www.facebook.com/